Here Love Lies: Tope Oshin’s Romance Thriller is Subpar
Over the years, Nollywood has adopted the idea of interracial romance, and why the result is usually either remarkable (Isoken) or average (The Wedding Party 2, Namaste Wahala), the audience always seems to have a good time watching them. Following her five-year break, director Tope Oshin returns to bring this fan-favorite subgenre to our screen, but it fails to meet expectations. […]
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